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This video was submitted to the "House is me" project by purespace.ist.
This is a work created by crossing the various times of the past and present of a couple. Time when I should have been able to touch the body,and The story of those lost and going back and forth spending time alone.
-Is it in your arm or in my memory?- At the "depth" of time, I just walk quietly.
I spent most of this Covid-19 period in a house surrounded by rice fields. At night, I moved my body in a limited space, surrounded by the cry of frogs. Only my husband can directly interact with me about the creation. However, I think artists are creatures that want to keep their awareness in shape in any situation. I would like to leave here that the accumulation of time, which is created by the loss of the stage space, loss of interaction with people, and the loss of rehearsal space, can become a work.
She has directed , an original dance project based on a concept that asks “Is the body actually an offering?”. Her quiet and vivid tableaux address “mitate (allusion)” and gishiki (ritual). Joined in 2015. Broadly active inside and outside the theater. In 2016, her work “Melancholy of square” (choreographed by Kaori Ito,danced by Tomohiko Kyogoku & Kaori Ito, won the Encouragement Prize of Yokohama Dance Collection 2016, the Dance Platform in Asia to Promote Choreographers of the Next Generation. And she appeared on collaboration by Ansan art center and Kirari Fujimi "typhoon kitan(颱風奇譚)" as a dancer in 2015 above all. In 2017, 2019 she stayed at Seoul Dance Center as a dancer & residence artist.
Choreography: | Kaori Ito |
Dancer: | -Tomohiko Kyogoku -Kaori Ito |
Music: | Chie Narita |
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